Showing posts with label Greg Hirst. Show all posts
Showing posts with label Greg Hirst. Show all posts

Friday, July 03, 2015

GALEN ANTHONY UPHAM

portraits by Bob Scriver

It’s been a long time since I came to Browning to teach high school English in 1961.  I had no idea what to expect and wasn’t really prepared to teach English, except that I had a solid grip on grammar.  I was trained in theatre and, as it turned out, that was a fine way to approach a tribe that appreciates performance:  not high test scores but more like fancy dancing.  I found the scripts as I went along.  Here’s a link to one list: they are people but they are also roles.  Many are gone now, but only in this world.


I tend to confuse students.  Over the years Greg Hirst has had to remind me again and again that he is not Mike Hirst, his brother.  I do remember who Charlie Hirst is, since that’s more recent.  He wasn’t a student -- he was the maintenance man for the Heart Butte school bus fleet until he was found dead in a flaming pickup after I left but right in front of the teacherage where I lived.  I was there 1989 to 1991.

Whichever Hirst was actually in my classes was a good student.  So was Greg.  It’s partly genetic and partly memes -- these are mild-mannered people who value learning of all kinds but are careful about how they manage it.  Greg is out at Heart Butte now, though he just retired from a long career in Wolf Point.  He has been solid and contributing for many decades.  When he finally gives it up, he owns a big house in Great Falls.  He needs space for lots of books.

Verena Rattler has been a conscientious historian.

It’s easier to think about people here in terms of family.  There are always outliers, but in the main there are shared characteristics and unless one gets into some entirely different environment that hits all the wrong keys -- which might very well be about success -- then they are doomed.  The white man’s way of keeping track by name through the father doesn’t really work for a culture so recently oral.  There needs to be a circle of old ladies who remember and sit together counting who-is-who-and-how.  For instance, Misty Upham, who belonged to the same descended-from-Heavyrunner family as the Hirsts, was driven over a rain forest pisgun, a buffalo jump.  It's a high price for fame and success.


I’ll come back to Misty later.  What I want to talk about here is the Uphams I knew personally. They are entwined with Hirsts and Kipps and other worthy cousins.



One of the things I do is to cut out all the Blackfeet obits from the GF Tribune and tape them onto cards, then alphabetize.  I don’t date them because what I’m looking for is relationships.  Eva Upham, who died at 97, was the mom for a special person, Galen Upham.  (Also, his brother Dennis, who was a little like him, and some others.)  It’s Galen I want to talk about.  I have a special attachment to Galen, but when I mention it in certain company they get mad, because they think that THEY are the special ones.  His gift was in part giving people that feeling.  He looked like a young Abraham Lincoln.  

Young Abe Lincoln

He’d pull his old rez car into the so-called driveway in my East Glacier years and honk until I came out and sat on the edge of my so-called back porch.   (I called it my "drunk-catcher" because boards were missing.)  He’d stay in the car and we’d visit for a long time.  He was famous for stealing one of the red tourist touring buses and driving it over Going-to-the-Sun road by moonlight.  He was drunk, probably, and if you know that Backbone of the World track, the miracle was not getting away with the theft, but simply staying on the road.


I wrote a script about it:  one of those Outlander time-travel things.  Galen is driving over but he wrecks and ends up in a snowbank which keeps him from being killed.  While he lies in the wreckage, an old-time young man just like him is there on a vision quest, and they talk.  If I were writing it now, I would make the ancient one a warrior -- that pass was a war trail first.


But Galen wasn’t a warrior -- or didn’t think he was.  When he got too far into the alcoholism, he’d be committed to Warm Springs.  A lot of people wanted him to kick the booze.  While he was there, he’d take his guitar over to the children’s building and play for them.  When he was stabilized, he’d be back home.

I ran into Galen and Olivia at Indian Days, walking in the dark evening, holding hands.  In those days the lights were only strung up temporarily -- the only permanent structure was the pump-head for water, a big cement cube alone out there in the grass most of the year.  The young couple was plainly very much in love, well-matched.  Olivia was remarkably beautiful.  One evening she was reading in bed and smoking, but fell asleep and that’s how she left us. There were no dragon’s eggs that hatched.  

Somehow that whole family had a bit of of mysticism in them, I think more from Eva than from “Doc,” who had been a musician in Bob’s High Line dance band in the Forties.  Once when times were good, Doc brought in a deer head to be mounted.  It wasn’t a remarkable specimen -- I think he just wanted to show off to Bob, who was skeptical about ever getting paid, with reason.  For years Doc left it, probably forgot it was there, maybe was expecting Bob to cave in and say, “Here -- just have it.”  In the end Bob needed some glass deer eyes for another mount and pried them out of the head.  After that, mutilated, it was hard to look at, so it was tossed.

I hadn’t realized Eva was a Canadian Guardipee, which is often a Metis name and maybe includes some far north “Cree medicine” genes.  Cree medicine is the love medicine that Louise Erdrich often mentions, but Louise’s white genes are German and Guardipees would probably be French.  Eva had a sense of elegance about her and a sweetness that both Galen and Dennis shared.  March had it, too, and she married Peter Sellars, part of that 8th grade bunch in my first class ever.  He was a high IQ kid, quite balanced, but he got dumped in there because, I think, he played his cards close to his vest.  Never let people know how much you know.

In 1988 when I was the Methodist minister for a year and monitored study-hall for grub money, Galen and Olivia’s son Glen turned up.  He had that same arrogance that became pride once it was backed up with accomplishment.  I had no money at that point (do I ever?) and was wearing cheap canvas slip-on shoes.  Glen looked at my feet and sneered, “Potato pickers’ shoes!”

I’d humor him and even slip him a bit of money now and then.   The kids asked,  "Are you related?"  Sort of.  I worried.  Times had changed and he was one of those who stole needles from home ec class so he could experiment with penetrating the skin on his hands.  It’s drug-related.  But twenty-five years later he’s okay, living up in East Glacier.  He’s not much like his father, maybe.  I haven't gone to look for him.

I still have a story Galen wrote.  It’s about a Blackfeet chief who kidnaps an English teacher and keeps her hostage until she will teach him to read.  Of course, a kid who read as much as Galen didn’t need to be taught even how to write.   He just did it.   Ever since then I’ve searched for what it was I ought to have taught him, the grail that could have saved him.  It’s a searing, flaming thing.  I mean both the search and the grail.

Galen was three years younger than me.  (1942 - 1987).  I was in Saskatoon in 1987.  The next year I came back to the rez, homesick.

Friday, August 15, 2014

"OFF THE PATH" an anthology about on the rez


When I came to Browning MT in 1961, I wanted to teach English partly because of a fantasy of creating indigenous writers like my 4th grade teacher, Mildred Colbert, Chinook.  The superintendent at that time, Phil Ward, shared that dream because he was formerly an English teacher as well.  He wrote poetry.  If you’re reading this, you know what I write.  Phil Ward and I were white.  Do-gooders.

Fifty years later I get the news that Greg Hirst, a former student, will teach English in Heart Butte this coming year after a fine career in Wolf Point.  I’m already trying to make contact.  But somewhere I heard about an anthology that included a Blackfeet writer and ordered it:  “Off the Path, An Anthology of 21st Century Montana American Indian Writers, Vol. 1.”  I just finished reading it and am absolutely so swollen with excitement that I could split screaming. 

Here are the names and their enrollment:  Adrian L. Jawort, who is also the CEO and editor, and Cinnamon Spear, (both Northern Cheyenne),  Luella N. Brien and Eric Leland Bigman Brien (both Crow which is Apséalooké) and Sterling HolyWhiteMountain (Blackfeet).  Luella and Leland are sibs.  I reach for the phone, but am hampered by the lack of a directory for cell phones.  The phone number of www.offthepasspressllc.com was in the front of the book and that worked.   I talked to Adrian and I’ve left a message for Sterling, but -- after all -- it’s Friday afternoon in August!

Adrian L. Jawort

Poor Adrian -- I swooped down on him with no warning and out of any context at all.  No matter.  He’ll get used to me -- I’m not going away.  Not because I’m going to horn in on what he’s doing, but because THIS anthology is what I want to see published.  TRUTH.  REALITY. CONTEMPORARY.

Sterling HolyWhiteMountain

These ARE 21st century college grad people.  They do not wear feathers, they do not bend the knee to the gatekeepers, they know their stuff.  The most accomplished (Iowa Writer’s Workshop ring any bells?) is Sterling and you can see him reading on YouTube:  https://www.youtube.com/watch?v=Crs1Z9dZr8Q  In his story he talks about “court vision,” meaning basketball court -- not the other kind.  Court vision is when a player has mental awareness of everyone, what they’re doing, what they’re about to do, where the ball is going and how fast it’s traveling.  It’s something like getting the big picture.  That’s what these writers have.  

They talk rough -- they talk about booze and drugs with name-brand familiarity.  They know murderers and the murdered.  They’ve seen their parents slug it out.  The only thing that surprises me is that they don’t talk about dogs very much.  Sterling mentions them.  (I make it a policy to smuggle at least one imitah into every short story.)   They throw in words from their tribal languages.  Almost every character is from their generation, sort of half-in and half-out of success and the middle class, some of them convinced the only way to have a life is to leave the rez.

The staff of "Rez Made" clothing

And yet Sterling has a clothing company, http://rezmade.com, based in East Glacier.  Check it out.  The people in the photo above is very much the same kind as the ones in the stories, except there are a few maniacs in the stories and none in the pics.

Alcoholic dads are the worst monsters but they have multiple personalities and can also be your savior -- how do you cope with THAT schism?  How do you keep the pattern from rising up inside you and taking over your own innocent relationship many years later?  Cinnamon Spear makes you feel it.  Her other story, about having to give up $1,000 to save her little sister from a dumb mistake, and sleeping rough for a few nights because of it, while wondering what she has really done -- well, it’s not an Indian story.  I mean, it is, but there are no horses or feathers -- just the reality, a mix of innocence, yearning, family loyalty and murder.

Rez girls at Indian Days. wearing Rez Made

Cinnamon Spear also gives us the goody-two shoes girl who always does the right thing and has almost no experience on the wild side, but falls for a demon boyfriend.  It’s okay.  He’s in prison.  It’s a theoretical relationship based on letters.  Oh, boy.

Adrian Jawort masterfully handles the indigenous relationship with the dead in a story about meeting his brother for coffee -- because he needs to tell the brother he’s dead.  The brother is.  The story is so good you won't mind that I just gave you a spoiler.
  
Luella N. Brien and her twins

A prom girl conceived on her mother’s prom night gets ultimately trashed out at her own third prom by her “stereotypical Indian poet boyfriend as one of the props.”  That’s one of Luella N. Brien’s stories.  

Her bro Eric has a beginning website:  http://www.ericbigmanbrien.com  His story is about the writer's brother who wants the writer to take him in during Lent, because he has been told he will die on or about Easter.   Family is what happens when you're trying to have a life.

Woody Kipp, BCC journalism professor

These writers all have a touching conviction that a person can be a writer as a career but no one wants to teach English, so they all go for journalism.  It has worked for some, thanks to its immediacy, but they should talk to Woody Kipp.  Some take up Indian Studies and it IS time for them to crowd the white guys out.  I'm not sure they realize how many of these programs are being dropped by universities.  A few writers, like Adrian, already free lance here and there.  But the tribal colleges are welcoming.

There are no more than a few scattered sentences about the landscape or about Indian Days when the lodges are put up in the old circle:  moyis, “the circle where we live.”  No talk about vision quests or sun lodge tortures.  Instead, someone at the Indian Days pow-wow asks where the “49” is being held, and if you don’t know what it is, too bad.  You're missing something.  (It’s a hybrid of “Innun” singing and old white traditional songs, that I suppose got mixed in the Carolinas.  The first one I ever heard was a version of "She'll be comin' around the mountain when she comes.")

Darrell Kipp and I used to talk about NA writing and I always thought he’d break into the big time with a killer novel, or at least a chapbook of poems.  But he spent his life for kids and Blackfeet language, aside from being one of those solid people the rest of us count on.  Maybe there’s no shame in that.  Maybe it’s just as good -- being the person who inspires a new generation with a different vision -- maybe one that can only be seen if you have the equivalent of social “court vision” for those younger people.  They don’t fuss about grammar, they say fuck whenever they like, but -- curiously -- none of these people use slang for personal parts.  A penis is a penis.  Just a penis.  Good enough.

Okay, so "Breaking Dawn" is not realistic.

But love, oh, love, how they all love love and can’t resist falling into it, can never quite get over it, never believe it could ever happen a second time.  It will save them, make everything all right.  They crave the fusion.  Now how is that different from being a young white person or any other category of young adult?  I guess part of the difference is that on a reservation or just by being Indian, a person is always aware that the one you love might die.  Tonight.  Suddenly. There will never be an arrest or a trial.  But you could write about it.

If you want to read about it, go to their website www.offthepasspressllc.com or use Amazon.