Showing posts with label prestige. Show all posts
Showing posts with label prestige. Show all posts

Sunday, November 27, 2016

WHO YOU GONNA CALL WHITE TRASH THIS TIME?


When I checked out from the library “White Trash: The 400-Year Untold History of Class in America” by Nancy Isenberg, I was thinking about the forces behind the presidential election, but it turned out to be yet another revision of US history in search of why people are losers.  The main guiding principle this time is NOT that stigma oppresses people, so it’s a political problem; nor that poverty is inescapable which is an economic problem; nor that people are wicked (drug takers, sexual renegades) which is a moral/religious problem; nxor that the particular resources of a place are a lid on prosperity which is what Jared Diamond suggests.  This time Isenberg points to the European serf system, as carried to the new continent by the British Empire Builders.  A subjugated class does all the work; a privileged class counts the money.

It’s an assumption that people can be sorted into a hierarchy.  Forget whether it’s assumed that people from noble families are better or that people who own land (landed gentry) are better or that people with a lot of money from profiteering (industrialism, exploitation of war, government subsidized advantages) are higher.  Forget whether college-educated people (NOT just people who got diplomas but those who actually learned) are better than high school level people.  I made a list of possible causes — which I’ll spare you because it would be better if you made your own list, or if a little group sat down to brainstorm a list — of all the ways a person could move higher up the hierarchy.  Or fall.  It’s likely to be very long once you get a grip on the concept.

What’s surprising is that it changes over the decades and centuries when new technologies (computers) or new natural conditions (rising sea level) or some new cultural valuing (ostentatious wealth, sexual revolution) enter the scene.  Sometimes it’s an obvious loss of wealth (freeing the slaves) and sometimes it’s something mysterious (the most recent Depression, which was a matter of book-keeping and gambling of intangible assets).  But the basic assumption is always that people sort out into layers and it’s better to be in one of the higher layers.

The tricky part is that what works in one set of circumstances, does not in another.  If a person in an immigrant group that still has clear borders were an elder, a leader, that person would be “up,” but as soon as enough of the next generation gets assimilated, educated and making money from outside the group, that leader will be pushed aside.  We see this even in the indigenous world of the reservation, but surprisingly often the next generation — the children of the assimilated people — will turn back to their grandparents and try to recapture their roots.  Suddenly the epithet “blanket-ass Indian” — meaning someone too poor and culturally backward to dress properly— is gutted when the practice of recognizing leaders and achievements becomes gifting them with “Indian” blankets from Pendleton or Hudson’s Bay.  (Quite expensive, actually.)

Recently an attempt by a religious group (Unitarian Universalists) which prides itself on being open-minded, progressive, and educated, was blocked by a neighborhood from acquiring a building because those folks assumed that religious people are low-class rabble-rousers who would attract unwanted attention.  We are in a time of social earthquake when the bottom becomes the top and no one is quite sure how to map the terrain.

Part of this dynamic is increased “empathy,” that is, awareness that there are suffering, barely surviving people, who can’t be ignored because they show up in National Geographic all the time.  They risk their lives to come over here, climbing our walls and slipping in under disguises.  They dress funny and their food is different.  But then those who are doing very well imitate their ethnic clothes and eat in their trendy restaurants — as though the people left to survive at home weren’t scraping by on our discarded t-shirts and NGO bulk food.  

Our own people just die in our streets, a pile of rags.

I try to remember that “all comparisons are odious” because it means someone has to be on the down side, often unfairly, but I blunder out of haste or insensitivity or just dumbness.  We are not all equal because we are not all alike.  But simple difference should not be an imposed burden.  Yet it is and much of our story-telling is about how to bear life, how to rise above challenges, and how to give a hand to others.  How to be loved because we are ourselves, which means stepping outside the hierarchy labels into actual relationship.

My ancestors on one side (Pinkerton) were stiff-necked Irish, prone to anger and violence.  (Yeah, those “detectives.”)  My grandfather on that side married a Cochran.  They were a wealthy family (woolen mills) and he was not considered good enough, which made him defiant at the same time that he used poor judgment out of wrath.  He had no sons, which could have been a source of rising, but resourcefully depended on education to raise the status of his daughters.  A nurse, a teacher, and one was meant to be a lawyer.  She wasn’t but her sons-in-law were because her daughters (she had no sons) married them.  “It’s as easy to love a rich man as a poor man,” she said.

My father’s family, Strachan, was not rich, but they were honorable in the conservative Scots way, which is also a source of social status.  They were homesteaders and then WWII raised up my uncles: a pilot, a draftsman, and a real estate broker.  But my father stuck to agriculture, even though he was the oldest and the only one with a college degree.  His failure in life came as a result of an automobile crash resulting in a concussion because he smashed the windshield with his forehead.  He accumulated a lot of books which gave him neighborhood status, but didn’t help him rise at work where he could never quite grasp what he was doing.  He never read the books or the piles of subscribed magazines.  (I did.)

Doubling back to the Pinkertons, with the educated daughters, they all married Hatfields who were landowners.  When I watch “Masterpiece Theatre”, I see their English faces.  Not French enough to be gentry.  Their land at the southern tip of Oregon's Willamette Valley is very much like English fields and forests.  The family lore is that the old original crafty Hatfield advised his sons to marry the Pinkerton girls because they were smart and smart is a resource.  (They mocked Old Pinkerton and saw him as deserving to lose his daughters.)  It was good advice but my mother chose a Strachan with a degree who had brothers.  No one could have predicted his trauma.

Temperament comes into it.  And always the gender-roles.  My mother was determined that I would have a bachelor’s degree and wanted it to be teaching, like hers.  When I went back to seminary, she became angry and belittling, because she didn’t want me to be “better than her.”  To her it was a betrayal of the social solidarity that proved her own value as a teacher.  She believed in the higher prestige of religion, but only for men and only Christian — I was moving “up,” which was such a source of her family’s quarrelling.  Ironically, I was UU, where my father attended as an atheist.  (If he ever attended.)

Beyond that, there is a nearly unconscious product of hierarchical aspiration that says “Don’t get too smart.  Don’t think you’re better than us.  If you fly too high, you’ll crash.”  (The old Icarus Complex.)  Ask an American Indian about that, or anyone else who escapes a stigmatized category but loses his feathers.  A fat person who tries to lose weight is often sabotaged by friends and family, because they don’t like change; they are afraid that the social marker of slimness will mean that person is above them now.  The movie “Working Girl” is all very well as movie fantasy, but in real life all those applauding secretaries will desert their achieving friend and resent her behind her back.

This presidential election, when interpreted in these terms, is fascinating.  Markers of class, entitlement to dominate, debts incurred and claimed, and the simple factor of appearance are all in play.  Republicans who are convinced they are wealthy because they are virtuous, have their “feet” cut out from under them when their secret lives are revealed.  Democrats who are convinced they are virtuous because they reach out to the poor, likewise turn out to be hypocrites.  Crime, or at least law-breaking, appears to have become a source of status.  Mafia rules apply, as they always do in chaos.

Thursday, May 21, 2015

BOOKS -- WHAT ABOUT 'EM?



Famous bookstore in Paris

Mike Shatzkin is a book dealer and so was his father before him.  In those days there were “books” which were “published” and “distributed” to “book stores”.  They were reviewed by “book reviewers” and “promoted” according the kind of books they were.  Promoters might be something broad like “Book of the Month Club” which also distributed, or something narrow like a trade group that needed handbooks for best practices.

All these parts of getting books out there were industrial and capital-based, expansions of Gutenberg’s printing press, still using ink and paper just like Benjamin Franklin.  The only advance was power-cranked presses.  If I could insert an audible voice here, it would be the big impressive announcement that begins movies with “In a world where. . .”  Where what?  Everything is X’s and O’s, even hugs and kisses.  We are all molecule synergies supported by the atomic nature of the cosmos, spiraling ever into more complexity.  A hundred people in a hundred locations on the planet can be brought together in one big song, so long as everyone has the sheet music and the techie stuff is compatible. 

Cell phone and t-shirt entrepreneur

This means that terrorists in Africa are about to be undone by moms with cell phones in their apron pockets.  People who had thought they were trapped will look at the images of Times Square and it will be as though we were finally discovering life on Mars.  For them, anyway.  There IS some other life in some other place.  ISIS may end up presiding over a depopulated caliphate.

Most people have not been paying attention to is content.  Where is the content coming from?  We’ve been so impressed by the big clanking machines, from the first frontier hand printers and boxes of fonts to the massive newspaper series printers, we haven’t thought much about how the times and possibilities affect what’s being printed.  Not all of us want to read romances about falling in love and getting married, which fewer people actually do.

In the beginning books were hand-printed, hand-assembled, hand-bound.  This was expensive.  Rich people could afford them.  Church officials.  Special gifts.  Pretty soon there’s a political connection.  Inevitably, whatever is taboo, sinful, prosecutably secret, really dangerous, is ripe for making into a book that can be tucked away.  As an object it can become jeweled, gilded, with a silk and gilt book mark.
One of Norman Rockwell's neighbors

Or the binding might be sentimental.  I have a copy of Walt Whitman’s “Leaves of Grass” with a binding that looks like woven green grass.  Bob Scriver made presentation copies of “The Blackfeet: Artists of the Northern Plains,” which had a slip-case with a shallow box built onto the front and in each box was a stalk of sage he had picked himself.  But his buyers weren’t always educated enough to understand.  Several people who have inherited this book have called me up, puzzled about what it was.  They had thrown the “weed” away.

Which makes the point that any book, no matter how valuable it is, needs a knowledgeable appreciator.  Today Barrus’ handmade erotic poetry books stapled together with wallpaper bindings, are worth hundreds of dollars to collectors.  If you were one of those who bought them from the author on the SF waterfront in the days before HIV, you don’t just have a marker of one person, but a memory of a brief but golden time, a climax culture.  You don’t have to be gay anymore than you have to be tribal to understand what that brief brilliance means.  It was like the Left Bank of Paris, but bigger.  A “hotbed” in several senses.

Um, might be a cold frame.

The real value, of course, is in the contents, but today’s reader is not always capable of seeing the qualities that make thought valuable.  They think real means “actual” and go off on witch hunts, junior G-men journalists, looking for documentation -- which is pretty easy to fake or misinterpret.  

Or they have a state university undergrad’s grasp of French Algerian structuralism and go around talking about Foucault and Derrida as if they understood.  That stream of thought is as hard to figure out as Process Theology.  It IS hard to grasp, an interpretation of Christianity through quantum physics, but it did well enough to kick off “Physics for Poets” and so on.  You can leave these books around for visitors to be impressed.  They don’t change your life.

"Sex" by Madonna

Because books as objects are markers for the arrogant, implying that they have enough money to buy expensive things, that they have enough education to read difficult books, and maybe even that they are “in,” part of the social group that knows what’s important.  Maybe even banned because of being daring.  In some crowds, one could leave a copy of Madonna’s photo book called “Sex” on one’s coffee table.  You might want to put something under it to protect the surface, since it was metal with the title stamped into it.

A whole mystique, derived from the same sources as “Downton Abbey,” (the British class system) has infused books with a dusty romantic security/captivity fantasy esp. appealing to young women.  Over the centuries many middle-class paintings show pretty girls in upscale clothes reading books.  This pleasing image was felt as a loss when the trendier and more snobbish way to get one’s stories was through a tablet.  Of course, the problem of protecting fancy and expensive clothes was eliminated when everyone under thirty was wearing sweats anyway.

The advantage to reading ebooks is that there’s no cover to hide while you read on the commuter train.  But that’s kind of the problem, too.  Books are like dogs and children, conversation starters.  Another convenience is converting print to spoken words, so you can “read” while doing some kinds of work.  Even in a monastery of the Medieval times, a lector read aloud from an improving book while the monks ate.  Audible books are classier than  the radio and you get to pick the story.  On the “iPods” you don’t even have to accommodate a lot of slippery plastic containers.

Enlightenment gets to Denmark

Blah, blah, blah.  The obvious.  But content is not always obvious and some people still buy for content.  Shatzkin and company have not figured this out and bluntly say so.  Ideas are a lot more slippery than media kinds.  My last night’s movie was “A Royal Affair,Danish: “En kongelig affære”) is a 2012 historical drama film. To the informed, it is a depiction of how sweeping philosophical ideas -- esp those of Rousseau -- affected Denmark in the 18th century, so that it went from being a church-dominated feudal society to the present tolerant and progressive nation.  The plot is about lovers, who connect through books.  Why were those people (the queen and the king’s physician) ready and hungry for books that had to be kept hidden? 

Shatzkin’s strength is fearless analysis of the actual process that used to work with books.  Take American Indians -- why are there so few books of any sort about their modern lives?  Is it because there is no capital in the hands of people who can finance publishing?  But ebooks don’t cost much to publish.  Is it because books of that sort are still on paper and sold in “book stores” of which there are none on reservations?  But that hasn’t slowed down music.  Why doesn’t literature follow music onto tablets or as audible stories?  Is it lack of promotion?  But word-of-mouth is the tried-and-true means of popularity.
Three Blackfeet Readers in the early days

Why do “Laughing Boy” or “The Way to Rainy Mountain” take off and win major prizes?  One was white-written and the other was Indian-written.  What makes Jim Welch such a favorite?  Why do so many whites want to write about Indians but so few Indians do the same?  Is getting off the “rez” of predictability too dangerous?  

Personally, I think it’s just that American Indians don’t have that British Empire worship of the class status of books.  People who don’t read don’t write.  Now that books aren’t physical anymore and the XO revolution has removed print anyway but added music and image, there may be more American Indian books than we think -- but they’re on YouTube, Vimeo, Tumblr, and so on.  This is what publishing is today.  Not everyone is “getting” what they are saying.  They are missing the revolution.