Showing posts with label Oliver Sacks. Show all posts
Showing posts with label Oliver Sacks. Show all posts

Sunday, March 26, 2017

TRUTHFINDER WON'T TELL YOU THE WHOLE TRUTH

Oliver Sacks in early years

Oliver Sacks is one of my most beloved writers and certainly not mine alone.  Many love his books and did even before Robin Williams impersonated him in order to tell an early part of his story.  As more unfolded, we gaped at the photo of him on his motorcycle, looking very leather, and then again gasped at his exploits as a lifelong power swimmer.  

https://www.theguardian.com/books/2017/mar/26/bill-hayes-insomniac-city-my-life-with-oliver-sacks-new-york#img-4  Thus I was pleased to discover this lyrical, loving account of his most recent years before death.  He had not had a partner before Hayes and he needed one, as much to explain the world to him as to embrace him, which Hayes must have done both delicately and firmly.

Then I read a story about Bannon in VICE.  https://www.vice.com/en_ca/article/steve-bannons-sad-desperate-crusade  My Safari has suddenly gone prudish and refuses to open VICE (among other venues it disapproves of — their checks must have bounced), but I went to Foxfire.  It was worth it as John Saward’s corruscating analysis of Mr. Dark is both entertaining and valid.  Somehow one ends up sort of sympathetic with this resentful, vengeful man, but watch out when googling for Saward because there’s another author by that name who is pastoral, a married man with three daughters who got a special dispensation to become a Catholic priest, which is not granted to anyone like Bannon — nor probably not like the Saward who was published in VICE either.

The next item that popped up on my feed was from Truthfinder, a data base scraper that promises to tell you the real facts about your friends and neighbors and to find long-lost people in your life.  So I entered myself.  It consists entirely of legal records of offenses: arrests, defaults, demographic facts, divorce and marriage.  As you ask about your subject, the website records your own “facts” but provides no way to make corrections.  I’ll say right off the top that I have never used the pseudonym “Skrivner” and Scriver is my married name anyway.  

Yesterday I went to Cut Bank to do the laundry (write that down) and Carl Old Person was there to wash his car.  “Miss Strachan!” he exclaimed, surprised to see me.  He pronounced my maiden name properly.  He was in the Browning High School English classes I taught in the early Sixties, and I haven’t seen him since, but evidently I haven’t changed that much.  You would not find this information on Truthfinder, though the moment would tell you a lot more about me.  

I didn’t pay money to see what my crimes were.  There are two very old ones that might show up, but only one would be in Montana.  Both were speeding: five miles or so over the limit, both on gorgeous Sunday mornings with no traffic on my way to preach.  (Truthfinder doesn’t know that.)  There are no records in Truthfinder about my career as a sheriff’s deputy with the specialty of animal cases ranging from scraping up squashed pets to cautioning a motorcycle gang to stop chaining dobermans to their parked bikes.  I never did get a case of someone using a dog as a deadly weapon, but such cases exist.  I did get rabies shots.  None of this is in Truthfinder.

Nor am I anxious to be found by people I offended in those days in uniform.  I had guns pointed at me twice, but no actual shots.  Also one of the dark sides of the ministry is that people tend to project all sorts of things onto you, esp. if you’re female.  They range from the “Whore of Babylon” to “Mom”.  My years in the ministry do not show up on Truthfinder, nor do my academic degrees.  The most incendiary days of my life, shared with Bob Scriver as Blackfeet ceremonialists, brought me a recent raving comment on my blog, which I deleted unposted.  It was anonymous and evidently a reaction to a paper posted on Researchgate, an open academic online journal.  It did not use Blackfeet terms.

If you really want “truth”, I urge you to buy “Bronze Inside and Out,’ which is my biography/memoir of Bob Scriver.  One local reader was surprised that it had so much about me in it.  They don’t think women or authors really exist, I guess.  I should put them in touch with the local person who said, “I don’t know what you taught these kids, Mary, but they won’t forget you.”  Carl didn’t.

But the most obvious source of info about me is my blog:  “prairiemary.blogspot.com.”  I could never hope to have anyone write about me with the love Bill Hayes shows for Oliver Sacks, but anyway few people are as extraordinary as Sacks.  On the other hand, I have known — still know — people nearly that remarkable and love them intensely.  They don’t show up on Truthfinder, partly because some are indigenous and the website doesn’t compile reservation records — nor reserve records for that matter.  (Reserves are Canadian reservations and some of these people are Canadian.)  Some of my beloveds don’t commit traffic offences or anything else a web-crawler would pick up.

Ten years of daily thousand-word posts like these will tell you more about me that you probably would ever want to know, but you’re on your own when it comes figuring out the Truth in them.  Some of them are plainly labeled fiction, because I post short stories.  (Never poetry — I stash that unpublished.)  But I may have misremembered, may have plumb forgotten some of the story, might have written something that another witness would flatly contradict.  There’s a lot of controversy right now about what’s actually True anyway.

Recently I watched a remarkable film called “Match,” which is a story that reflects the consequences of getting DNA matches to discover relationships.  The idea is that Patrick Stewart (in QUITE a different role from StarTrek) is an old ballet teacher (very convincing, though he doesn’t dance) who is visited by a man and his wife because they think he is the father of the man from an encounter in youth that prevented the deceased mother of the man from having a career in dance.  The story goes along through reversals that change everything.  

In the process the real truthful moment is a short tour de force pas de deux between the old man and the wife, in which Stewart explains that knitting (which he does) and cunnilingus are similar.  (Don’t try to google this on Safari.)  It’s not the subject, but the open understanding between two dissimilar people that is quite wonderful.  A “Truth,” one might say, in an ultimate sense.

In these times, so much a fulfillment of Bannon’s vision of the world, one feels truth fleeing away from us.  But then while doing some mundane task, someone walks in the door and hands you a true moment from the past without so much as demanding a credit card.


Saturday, June 20, 2015

THAT'S DISGUSTING !

Once in a while I come to write a post knowing what I want to say, pinning it on some tale or phenomenon that seems to work well, so I can unfold the thing coherently.  Then I go to Google to check spelling or dates, and the whole story goes cattywampus.  I had it all wrong.  I have to start all over again because my thinking was based on false assumptions.  Of course, that’s good to find out BEFORE I post.

Nina Strohminger

This time it was an Aeon (the online magazine), an article from a woman named Nina Strohminger.  I had just finished a post intended to dissect the parts of what we call “religion” because the meaning has been so confused and misused.  As an important component of “religion,” I offered spirituality and contrasted it with morality on the basis of boundaries.  Morality is always drawing boundaries between “what is done” and “what is NOT done.”  Spirituality is removal of boundaries, radical inclusion.  Nina gave morality the role I had given spirituality, but her indicator was not sin but “disgust.”  At her website she includes a link to her idea of includes the Strohminger Grotesque Art Database. It’s a ZIP file that I can’t open so far.  Here’s the banner: 


In the end I had an academic scandal.  It was clear that Nina was an upstart defiant critic of a stuffy professor.  This squib advertises Colin McGinn.

“Disgust has a strong claim to be a distinctively human emotion. But what is it to be disgusting? What unifies the class of disgusting things? Colin McGinn sets out to analyze the content of disgust, arguing that life and death are implicit in its meaning. Disgust is a kind of philosophical emotion, reflecting the human attitude to the biological world. Yet it is an emotion we strive to repress. It may have initially arisen as a method of curbing voracious human desire, which itself results from our powerful imagination. Because we feel disgust towards ourselves as a species, we are placed in a fraught emotional predicament: we admire ourselves for our achievements, but we also experience revulsion at our necessary organic nature. . . Existentialism and psychoanalysis sought a general theory of human emotion; this book seeks to replace them with a theory in which our primary mode of feeling centers around disgust. “The Meaning of Disgust” is an original study of a fascinating but neglected subject, which attempts to tell the disturbing truth about the human condition.”

Colin McGinn

It is a Puritan point of view with a prurient subtext.  A cover for abuse.


Then I find out about McGinn.  He is a sexual harasser who in 2013 was forced to leave his job.   An example of his attitude is a faculty meeting where he joked about feminists dripping hot wax on their nipples.  The reaction of the nearly all-male group was laughter. Disgusting. He claimed he was misunderstood due to cultural differences, humorlessness and his own superior intellect and knowledge of philosophy of language.”  Even more disgusting.  But not surprising.  I’ve long seen the philosophy Ph.D. as a hiding place for skinny boys with bad breath and no love life who tried to excuse everything with their own brilliance.  At least by now they don’t try to be UU ministers. 

Nina is not a feminist, but one who defends the right to be disgusting, grotesque, repulsive, an outsider (as female academics are sometimes seen).  Not because the judgment of them is mistaken, but that they also ought to be included in the valuing of life -- on moral grounds.  The problem always is that if one draws everyone into the circle of acceptable, what’s still out there?  Charles Manson?  But he’s only insane.  Can insanity be repulsive now that we don’t chain them in dungeons anymore?  A long list of rebellious creators like Pasolini or deSade have made it a point to BE disgusting, because that gives them a vantage point for raking culture.  They are identified as transgressive, but also admired and valued.  Why is that? Because of their morality, which urges protection of the small and weak, honesty and fairness in government, and the erotic.  They work between stigma and compassion.  Disgust is a justification for stigma: the dark, the poor, the infected, the uneducated are "disgusting."

Nina’s doctoral thesis is entitled “The Hedonics of Disgust.”  Thus, she is or ought to be defining her morality over against the conventional vanilla establishment standards, which empowers white males.  She also wants acceptance of her own moral code by the establishment because it signals acceptance of her work as “good.” She seems to be addressing propriety, defying rules about fat or nudity or gender.  I wonder how far she would take this idea.  I wonder whether her moral boundary isn’t ignoring what is not merely disgusting but evil.  Is that a real boundary?  I wonder how much she knows about the Mineshaft, dedicated to disgust as a sexual turn-on.  

Martha Nussbaum

Martha Nussbaum at the University of Chicago in her book, “Hiding From Humanity: Disgust, Shame, and the Law (2004)” was taking on a similar subject but from within the establishment.  Sleek, blonde and lawyeresque, Nussbaum was welcomed with open arms, very much within the mainstream.  I read it, approved, and by now have forgotten what she said exactly.  Bland, starched, near-Puritan.  The contrast is in Nina’s images of the grotesque, which I will NOT forget.  I’m NOT disgusted, but what can you expect from someone who watches CSI-Miami?

I had wanted the next step forward in my “body loop” version of developing humanness to be empathy.  Empathy is an extension of the brain, mostly through the eyes and the mirror cells scattered in the prefrontal cortex above the eyes.  It comes from the phenomenon of seeing someone do something and simultaneously holding an echo of the “doing” in one’s own brain.  It is possible to “echo” emotions in the same way and, in fact, it is this phenomenon at the core of a number of human capacities, as though the eye-beams were physical neuron connections.  In fact, people say they can “feel” eyes on them, even if they can’t see the watching person.

Charity or compassion without empathy is oppressive, even sometimes as bullying and destructive as hatred and violence.  People tend to think of empathy as a thought exercise when it is actually a dark brain "feeling" once the information comes in through the eyes.

Langewiesche’s most recent article in “Vanity Fair” describes a soldier riding alone in the back of a military transport on its way to murdering the five captives with him, a fact he is not quite registering.  He shares a cigarette, one of the captives gifts his “worry beads” to the soldier, two of them -- one an adolescent -- lean against the oldest man and cry.  Even in a print description our sympathy goes to them; description makes them human.  

There in the back of a dark, jolting truck -- trying not to think -- was an indelible challenge to the soldier’s identity, not because of any moral code but because of “feeling with” the captives.  Being a soldier means denying empathy for enemies.  He is unable to prevent the execution of the captives because of the force of mainstream dominance. 

Conversion of St. Paul -- Caravaggio

Denying empathy is the essence of stigma: one has no need to understand lesser beings -- they are considered mindless animals or automatons if they are considered at all.  Empathy is an animal ability, but the capacity to deny it is human.  I think Nina and friends have it upside down.  A primitive form of empathy is a basic component of being animal, closely related to “theory of mind” which is how predators predict what prey will do.  Morality comes later when people are gathered into groups, close together and competing.  It can be arbitrary, as mucky as hatred itself.

I’m on the side of feeling things but I would never exclude rationality or forcefulness from the complexity of a person’s identity.  And I would rule that “soul” is maybe part of identity but never part of morality.  Soul, if it exists, is not a creature of the community, but an essence of a person that connects it to the universal, the “Over-Soul,” if you like, while paradoxically validating its individuality.

Empathy is our access to other people.  We can obey the demands of our particular subculture and appear entirely moral, but without being in sync with others, absorbing them, learning what they know, we are not fully human.  The following is from a review by Maria Popova of Ollie Sacks’ latest book, “On the Move: a Life”

“Who we are and who we become is in large part the combinatorial product of the people and ideas we surround ourselves with — what William Gibson so memorably termed our “personal micro-culture” and Brian Eno called “scenius.” The more different those people are from us, the more they expand the echo chamber of our own mind, the more layered and beautiful the symphony of the spirit becomes. Nowhere is this self-expansion via relationship more evident than in the friendships between great artists and great scientists, one of the most heartening examples of which is the friendship between legendary neurologist Oliver Sacks and the poet Thom Gunn.”

Maria Popova


Of course, today it’s possible to have a worthy, soul-deep relationship with someone without ever meeting them, without worrying about conventional morality.  My friendship with Tim has been like that.  The more different those people are from us, the more they expand the echo chamber of our own mind, the more layered and beautiful the symphony of the spirit becomes.

Cinematheque - Barrus